• DURATION: 24 MONTHS

Course contains

A) THE HISTORY OF STEREOSCOPIC  3D
B) THE CULTURAL CONTEXT  OF STEREOSCOPY

C)THEORITICAL PRINCIPLES

• How the brains perceives Stereo and how that differs from Stereo 3D
• What Stereo Parallex is, how to control it
• How to avoid making the mistakes that give viewers headaches from watching it
• How viewers distance and screen size affect not only the viewer’s sense of depth but also dictate key parameters for stereo shoot
• The importance of non-stereo depth cues and how to use them to turn merely acceptable Stereo 3D into compelling and truly immersive 3D
• Frame Violation the magic of the floating window and how to use its power

D) PRACTICAL DIMENSIONS OF CAPTURE

• ABOUT DIGITAL VIDEO CAMERAS
• TYPES OF VIDEO CAMERAS
• ELEMENTS OF CHANNELS
• STEREOSCOPIC 3D CAMERAS
• SETTING UP 3D CAMERA RIGS
• SHOOTING 3D FOOTAGES
• PRE PRODUCTION SCOUTING
• PLANNING SCENES AND SHOTS
• CUT AWAYS AND CUT INS
• CAMERA MOVEMENT
• LIGHT AND SPECIAL EFFECT
• MEDIA REGULATIONS
• SHORT FILMS
• DOCUMENTARY FILMS

E) DIRECTION

• ROLES AND RESPONSIBILITIES OF DIRECTOR
• ART OF STORY TELLING
• DIRECTION AND SCREENPLAY
• PRODUCTION PLANNING
• ADVERTISMENT PRODUCTION KNOWLEDGE
• INDOOR AND OUTDOOR PLANNING

F) SCRIPT WRITTING

• CREATION OF CONCEPT/IDEA
• VISUALIZATION
• STORY OUTLINE
• THREE LINE STRUCTURE
• TYPES OF SCRIPTS
• SHOOTING SCRIPTS
• SCREEN PLAY
• STORY BOARD
• DIALOGUE IN SCREENPLAY
• ORIGINAL SCREENPLAY
• TELE PLAY WRITING

F) SOFTWARE

• PREMEIRE
• FINAL CUT PRO
• FrameForge Previz Studio 3 Stereographic 3D Pro Edition
• PHOTOSHOP
• AFTER  EFFECT
• SOUNDTRACK PRO

ASSIGNMENT

• THREE AD FILMS
• THREE DOCUMENTARY
• THREE SHORT FILMS

MINIMUM OF 10 MINUTES OF EACH PROJECT.
Students are assessed on the basis of the completion of their assignments. The final 3d outcome will be assessed by its production quality and effective use of stereoscopic 3D.